Tela do app Adamina

Sets theyremember

Adam And Tina designs and builds sets for TV commercials and fashion films, for agencies, brands and directors.

Inside the Adam And Tina workshop, a high-ceilinged warehouse with half-built set walls, stacked flats and workbenches under skylights

Builthere

Walls, flats and arches take shape in our warehouse workshop before they reach your stage.

A set decorator adjusting a yellow lamp on a sideboard inside a built living-room set

Dressedby hand

Every lamp, sideboard and colour is placed by a set decorator until the room looks lived in.

A finished, lit commercial set seen from behind the camera position, framed by stands and flags

Ready forcamera

The set you pictured, lit and framed from behind the lens, waiting for the first take.

01 / 04
Talk to us

What your production gets

One studio from the first sketch to the shoot day, so the world in your head is the one standing in front of the lens.

  1. Concept and scale models

    We turn your board into a card model with tiny figures, so you can walk the set before a single wall goes up.

  2. Set construction

    Walls, arches and flats built in our workshop, sized to your lens, your blocking and your stage.

  3. Scenic painting and finishes

    Faux marble, aged plaster, flat colour: surfaces painted by hand so they hold up in close-up.

  4. Set dressing and props

    Furniture, lamps and objects chosen and placed so the room tells the story before anyone speaks.

  5. Fashion film worlds

    Spaces with a colour and a mood of their own, built around the clothes and the director's eye.

A white card scale model of a commercial set with tiny figures on a cutting mat

Picture your set already standing

Send the board, the script or just the feeling you're after. We'll come back with what it takes to build it.

Send us your brief

You want the frame people pause on. A room that looks like it has a past, a colour that belongs to your brand, a doorway the camera wants to walk through. That's the set we build with you.

  • A look no one else hasBuilt from your brief, not a stock set someone else shot last month.
  • A shoot day that runs calmAgreed before the build, so the day is about performance, not fixing walls.
  • Close-ups that holdFinishes painted by hand to stand up to the lens at any distance.
  • A palette that's yoursColours, fabrics and tiles chosen together, sample by sample.

Where the look is decided

Before a set is built, it's painted, sampled and argued over on a worktable.

A scenic painter's hands feathering faux marble veins onto a set panel with a fine brush
Faux marble, feathered vein by vein
Painted sample boards, fabric swatches and tile chips arranged on a worktable for a set's palette
A set's palette, before it's built
Up closeEvery surface is made to be shot from inches away.

From brief to first take

  1. 01

    Share the brief

    Send the script, board or references, with your shoot dates and stage. A call works too.

  2. 02

    See it in miniature

    We build a scale model and gather sample boards, so you can agree on the space and the palette.

  3. 03

    Confirm before we build

    Scope and total are agreed with you before construction starts. Nothing is cut until then.

  4. 04

    Built and dressed

    We construct and dress the set, then hand it over ready for your crew on the shoot day.

Before you send the brief

How do we start?

Get in touch with your brief, references and dates. We review it with you and confirm the scope and total before any work begins.

How does pricing work?

Every set is different, so we quote your brief before anything is built. Contact us with what you need and we'll put the numbers together.

Who do you work with?

Ad agencies, brands and commercial directors. You can come to us directly or through your production team.

Do you only build for commercials?

We design and build sets for TV commercials and for fashion films, from a single set piece to a full built room.

Can we change things after we agree?

Tell us as early as possible, so we can adjust the design before construction starts.

What if something isn't right?

Contact us directly and we'll review it with you.

Your set, ready before the first take

Tell us about the commercial or film you're planning. We'll talk through the world it needs.

Request a consultation

Tell us what the camera should see

A board, a script or a single image is enough to start the conversation.

Talk to us
4116 Barryknoll Drive Los Angeles, CA 90065(510) 555-0183[email protected]